After a daring first impression left with the debut album “Uma Noite Romântica com João Borsch”, the multi-instrumentalist from Funchal is back with “É Só Harakiri, Baby”, a musical-album that explores addictions, its consequences, introspection and the paralyzing fear of being vulnerable
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The album continues the artist’s line of ambition, exploring the limits of sound and pop environments, with vertiginous leaps in genre and style throughout the tracklist and with a growing focus on timbre and ambient sculpture. In this sense and in this artistic line, only one logical conclusion would make sense: a conceptual album, or rather, an art pop musical, with a narrative and defined characters, ironic, revelry, scandalous and devastating.

‘É Só Harakiri, Baby’ makes us follow a hedonistic character and the consequences of a life of addictions, insecurity and self-destruction, between Earth and Hell, shaping space and time along the way.